Instead, he embodies a simple but intimidating characterization of evil that exists as a force of human nature, caring only about getting his product to prospective buyers around the world and cashing in on boatloads of money regardless of who or what stands in his way. He has his archetypal henchman, including a young Benicio del Toro as the sadistic Dario, but is not afraid to get his hands dirty in dispatching his enemies and makes no grand speeches to Bond about the nature of what he's doing or why he's doing it. ![]() While he is as ruthless and unforgiving as they come, sending multiple people to their deaths in various ways and inflicting torturous treatment on one of the film's leading ladies, Lupe ( Talisa Soto), his motivations revolve around the very real and treacherous world of drug smuggling. Franz Sanchez has no plans for global domination or deploying some kind of high-tech, futuristic technology that threatens to spell doom for millions of people. What also separates the film from its predecessors is the nature of its villain. His pursuit of Sanchez is personal, not business, and this dynamic gives Dalton an opportunity to flex some performative muscle in depicting Bond not as a professional, but as a man shirking traditional ethics and standards in seeking justice for his friend at any cost. This unique situation allows for an emotionally-driven exploration of the character that had previously been largely untouched. As a loose canon operating outside the conventional wisdom and parameters of his trade, he's suddenly granted a newfound and uninhibited sense of freedom in tracking his enemy, beholden to no one and playing by his own rules. Bond's decision to go rogue with a personal vendetta marked a new kind of mission for the secret agent, who in previous films typically had to work within the confines of MI6 and on behalf of his rigid boss, M. The film represented a significant departure from the series' mainstream formula in several ways. Hellbent on avenging the atrocities committed against one of his closest allies, Bond finds himself cutting through the red tape of bureaucracy, ultimately defying the orders of his superiors and going rogue on a self-appointed mission after having his titular authority revoked. After escaping from custody, Sanchez murders Leiter's wife and maims the agent with the assistance of a hungry shark, subsequently fleeing and continuing work on his criminal enterprise. Licence to Kill opens with James Bond and his friend and confidant, DEA agent Felix Leiter, capturing notorious drug kingpin Franz Sanchez ( Robert Davi). ![]() RELATED: The Next James Bond Should Be Played By an Unknown Actor A Vengeful Rogue Agent Part of what has made the film series so unique and endearing over the decades is its ability to allow for different performative interpretations by a handful of actors, each of whom put a personal stamp on Bond and left an indelible impression on audiences in his own way. When Pierce Brosnantook up the mantle, his approach to Bond found a happy medium between the playfulness of Moore and the confident stoicism of Connery, bringing to the franchise a healthy balance of reverence and fun. Roger Moore's performances took the character into a lighter and more comedic direction that occasionally bordered on self-parody, giving viewers seven films that were a breezy and welcome breath of fresh air. ![]() From Sean Connery's suave and debonair debut of the character in the 1960s to Daniel Craig's more coldhearted portrayal of the iconic spy in the 21st century, the long-running film series has given viewers a variety of tones and stylistic aesthetics. ![]() After 60 years, 25 films, and 6 leading men, the James Bond franchise has been one of consistent reinvention from one era to the next.
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